Musings from the Well...
Copyright © 2019 Catharine Mitchell. All rights reserved.
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 Old Paint There is an image painted on an old post. Others designed it and chose the colours. Exposed to air and the elements and Time its features weather and fade. I use my own paint and brush to maintain it and keep it from wearing away (that's what good girls do) though I'm not even sure I like it. Sometimes it seems kind, more often vaguely threatening. Who knows how much my clumsy repair work has deviated from the original? One day, I decide to wait - to let the colours flake and peel. It's hard, this allowing. Eventually, I see the soft greys, browns, and greens of the wood beneath. Paint has turned to dust. I brush it away, gently, careful of slivers, then stop. This is no old post, rotting in the ground. It is a living tree, growing and changing, connected to the rest of the forest through a web of roots, deep underground, and now finally freed from well-meant but outmoded designs. I thought the image was the whole truth, but there is living wood beneath the façade. Outgrown beliefs, habits, and addictions receive an invitation to evolve beyond Old paint. When people ask why I don't post more often, my response is usually that I write when I have something to say. I've come to realize that this is not completely true. Yes, I do wonder sometimes about why some use social media to share so many details of their days: the latest cute thing a little one has done (I love these ones); opportunities to be involved in social-justice-oriented activities (I appreciate these); news about loved ones (two thumbs up)… Then there is the deluge of selfies, pics of each meal eaten, and rants about whatever the writer dislikes or disagrees with. It can become exhausting to try to keep up.
Before I start sounding too self-satisfied and pious, let me own that I am beginning to realize that it's possible to go too far in the other direction. To be overly-cautious. To seldom share true thoughts and feelings because of a discomfort with attention or the fear of handling a potentially negative response. (I'm thinking both in and beyond social media here.) To get back to my opening sentence, perhaps, for me, writing infrequent posts is less about having nothing to say, and more, much more, about a deep caution about revealing what's really going on inside, particularly around my own spiritual journey. I have recently received some nudges from people I sincerely respect and admire. Their words have encouraged me to be more open about sharing my lifelong search for meaning, in the possibility that parts of it may resonate for others. I've committed to using the next few posts to do just that. And I'm beginning with a big topic - the evolving image of God. I wrote "Old Paint" three years ago during the intense spiritual formation segment of the Ontario Jubilee training program in spiritual direction. I specifically chose Jubilee because it is (in both its guidelines and in actual, feet-on-the-ground practice) open to and respectful of all spiritual traditions and belief systems. I didn't know the term "Spiritual Independent" when I began the program, and I came to feel a resonance with the term as a result of my research and reflection during those years. Whatever I was or wasn't, Jubilee welcomed me and accepted that, regardless of my lack of a label with which to identify my personal belief system, I was indeed person of faith with a deep reverence for the Sacred. During my years of training and in the time since then, I have been able to go back into the past, recognize trauma where it existed in my own experience of a patriarchal religion, heal much of the hurt I carried (though that, like most healing, tends to come in layers), and flow into a new way of relating with the Divine. What "Old Paint" speaks of is my sense of awe in realizing that, like the landscape, plant and animal species, and the Cosmos itself, my image of God can evolve. (I have a suspicion that this is far less about God and far more about me!) This process can be beautiful and full of wonder or it can be a painful wrestling between the religion we were taught (including its concept of God) and our own lived experience. Usually it's both wonderful and difficult. Based upon my own life and the conversations I am honoured to have with seekers during spiritual direction sessions, I can say that while this process of evolution can be immensely challenging, it leads us into greater freedom. There is expanding life in the search, much like the old post in the poem which is revealed to be a living tree. Getting to this point in my own journey has been hard, hard work, and I know that the work will go on as long as I continue to breathe. But it's been worth it.
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 Late Summer Cleanup I return home after a few days away To discover my plants dry and wilted, Some leaves even crisp for lack of care. We had experienced rain away So this evidence of neglect (Nature's or mine?) Surprises and chides me. As I carefully trickle bucket after bucket Into the dry soil, I notice That the leaves which have fallen, dessicated, Have gathered in corners of porch and deck, Held securely by cobwebs - In some places so thick as to be opaque white. (More evidence that my attention was elsewhere.) I consider getting the broom to return The steps to a neat, tidy, austere emptiness, But I look around - Leaves falling here and there, Late summer weeds with gangly stalks, Grass brown and brittle in places, Pieces of walnut shell scattered by Scavenging squirrels, preparing for a change of season. My cobwebs and leaves are the remaining fragments Of the dream of summer. Who am I To sweep them away? It's funny how in late August it's like we cross some sort of invisible threshold from summer to not-summer. While hot weather may find us yet, there will be no more of the humid nights where heading outside in the evening is like stepping into a warm bath. The sky looks different. Air-conditioning is off and windows are open to welcome breezes. Goldenrod has unfurled its deep yellow flowers everywhere along fences, ditches, and the edges of forests. Birds are gathering in flocks, frequently changing direction en masse, swimming through the air like schools of fish. We know that something is changing, even if we haven't looked at a calendar lately.
September has always been a bittersweet time for me. I loved school as a student, and even more so during my thirty years of teaching. There was great excitement and a deep sense of purpose in setting up a classroom and preparing to meet the hopeful new faces I would shepherd over the course of the coming school year. But... I would see the geese heading south, listen to their honking from high above me, and wish that I could travel too, somewhere, anywhere. People would chuckle when I mentioned this longing - especially when I mentioned my theory that some part of me was listening to an ancient pattern embedded in my DNA, a desperate need to move with the seasons. These liminal, or threshold, times were honoured deeply by the ancient Celtic peoples. Any time or place where one thing was transitioning to another was recognized as sacred. This could be transition in place, such as water meeting land or forest meeting field, or transition in time, such as day meeting night at dusk, or summer meeting autumn during Lughnasadh (August 1-November 1). One of the blessings for me of retirement has been a slower pace, where I can take the time to feel into these times and places, rather than noting them in passing during a busy schedule, or even worse, ignoring them completely. Some transitions (such as seasonal changes) are cyclical, while others (such as moving from daily working life to retirement) may appear more linear. Certain transitions grow into our lives more slowly (think hair becoming progressively more grey as we move into eldership, or the planning involved in moving to a new home) while others, such as the unexpected loss of a job, loved one, or health, can come upon us with the force of a hurricane. Navigating a period of transition can be difficult, especially if it is a change we did not choose. These times require great care, tenderness, and support. But even changes seen as happier, such as moving or marriage, often require a constant searching for balance between the old and the new. This is where Nature can be very helpful. Taking a moment, even within a breath, to note the slow shifting of colour in the leaves of a tree in the yard or the movement in exactly where the sun slips below the horizon, can remind us that change is part of life. It takes attention, but we can begin to develop deeper awareness in what is happening to and within us, and then find a more stable stance where we can both grieve what is leaving and find a way to welcome what is coming. Life presents us with plenty of opportunities to practise this. One of my most persistent teachers has been the coming of autumn. While my awareness of this liminal seasonal transition used to occur during the busiest time of a teacher's yearly cycle, after retiring from the classroom my schedule is my own to craft. This is the fourth September when I have had this freedom (still somewhat strange to me) to go where I wish, when I wish. I have travelled somewhere during each of those years, intentionally honouring this deep longing. I try to structure my journeys around having opportunities to wander through forests and fields with Nature as my companion and teacher, as well as scheduling time to rest in silence. Stepping into this space with a degree of reverence helps me to remain aware that I am fortunate indeed to have this opportunity. Now I sit quietly in gratitude instead of frantically organizing materials and planning lessons. It's as though September has been calling me for years, and only now am I able to accept the invitation.  Amanuensis And she glides gracefully, loving all around her. Through that love, from her unguarded heart She lays a silken cord upon the earth, outlining A place of possibility, a dimension bounded only By the willingness to surrender to gentleness. From this, a blossom grows, with a fragrance sweeter Than galaxies. This love sings down empty passageways, And sheds one iridescent crystal tear for those Too afraid to open to her Presence. She seems to swim in shadows, only because All of her light is turned inward to this place of Creation. Some will never understand this. But she did not come here to be understood. Only To live and love, and hold the space, that Precious sanctuary, for the becoming of others. This is no sacrifice. This is sacred duty. And the joy of it is both sweeter and deeper Than earthly love. There is no suffering when there is Choice. The above poem was inspired by the ancient Celtic season of Imbolc, which begins February 1 (or more correctly, at sunset on January 31) and runs until the end of April. Imbolc brings with it the promise of spring. Though winter still has us in its grip, there is a seed buried deeply within which is being held and nourished and protected. The Celtic deity most closely linked with Imbolc is Brighid, often symbolized by the swan. She was associated with many areas of Celtic life, in particular creative metalwork, dairy production, poetry, and childbirth. As is often the case, Christianity absorbed these traditions, assigning the festival of Candlemas to February 2, and giving Brighid continuing incarnation as St. Brigid, patron saint of, among other things, blacksmiths and midwives. The four seasons of the Celtic year fall at the midway points between the solstices and equinoxes of the solar year. I find that the Celtic seasons provide a helpful metaphor for how spiritual deepening works. There are seasons when our energy is directed outward, when we take what we have created out into the world, sharing it with others. But there are other times when our movement is inward, and we become more reflective, gleaning wisdom from our experiences. We ponder what we will keep (cradling the kernels within) and what we will release. These seeds need a period of gestation before we are ready to, once again, turn our gaze outward. This time of gestation, the allowing of a slow ripening within, can be very difficult. It's so hard to be patient, especially when it hurts. A common metaphor in the spiritual direction field is that of the spiritual guide as midwife. A midwife knows the process of gestation intimately. She guides the mother-to-be through the various stages of pregnancy, helping with basic information (such as nutrition and body changes) and sitting with the her through the joys and pains of pregnancy. The midwife does not contain this life; the mother does. The midwife's task is to hold compassionate space for the mother as she participates in this sacred birthing of new life. A spiritual guide has a parallel role - the journey taken within a session is not her journey; it is the seeker's. The guide's role is to hold a safe space within which this journey unfolds, and where the seeds which the seeker has planted can be either protected and nourished, or released. It is an honour to be part of this process. Blessings as Imbolc begins!  Folded Coat Years of study Countless books read, digested, Mostly forgotten, except for that one bright Kernel gleaned from among the verbiage - A cloak of words to wrap myself in. White bookshelves filled with The musings of wise teachers Surrounding myself with their thoughts, Their memories, their experiences. All bringing me no closer to something Knocking quietly, from the Inside. All of the work, the years of solitude, Endless hours watching, listening, Only prefaces to the real story. The story you and I write when we sit Without words. The cloak lies gently folded On the back of the chair. Now, we wrap ourselves in Silence. Spiritual guidance (or as it is more frequently called, spiritual direction) has been around for a very long time, and practised within a number of traditions. In the Christian tradition, it is associated with the desert fathers and mothers in the early years of the Common Era, moving eventually from there into the monastic orders, where it remained for centuries. Only in the past few decades has the western tradition of spiritual guidance been sought after and practised by Catholic laypersons, flowing into Protestant circles, and spreading from there into other faith traditions. Finally, it has become an important listening modality for that growing demographic sometimes referred to as the "spiritually independent".
Though the term "spiritual director" is most well known, my own preference is for the term "spiritual guide". Celtic traditions often refer to a spiritual guide as an "anam cara", or "soul friend", and though my Celtic DNA cherishes this, the term is known by few. Spiritual guide it is, then. The word "guide" suggests someone with life experience who has travelled herself and returned to walk with others as they head off on their own spiritual journeys. While a guide may, at times, share insights or experience she has gleaned from her own wanderings, her main purpose is to hold a safe space and provide accompaniment as the seeker journeys, looking for and reflecting with the seeker upon what is important and/or sacred in the seeker's life. The poem "Folded Coat" was written after a few years of working with my own spiritual guide. I am, by nature, one of those eternal students who is always studying something new, and my life as an academic and educator supported this preference. Facts, theories, and the details of a busy life filled my mind, and even retirement from teaching seemed primarily a great opportunity to study even more. There was a part of me that longed for something deeper, and spiritual guidance provided the container. A vital component of a spiritual guidance session is the practice of silence. Though at first I rushed to fill this space with words and ideas, eventually it became a longed-for space where I could stop thinking and doing and just be. The cloak of words now lies folded upon the chair. Ah - but which chair? Susan Phillips (in Candlelight: Illuminating the Art of Spiritual Direction, Morehouse Publishing, 2008) tells of how she sets out three chairs for her sessions: one for the seeker, one for herself, and one to represent the presence of the Sacred. Though I do not follow this practice myself, her example reminds us that there is something that makes a spiritual guidance session unique - the understanding that there is a sacred container for the session, however that container is understood. For some, it might be nature, for others, the universe, community, mystery, or divinity. Perhaps it is understood as the quantum or unified field. (Or maybe they're all the same thing - but that's another musing for another day...) In any case, it's something, and my role as a spiritual guide is to respect how this container appears to a seeker (usually most easily felt during times of silence), and to be aware of how it enfolds us during the session. Within this awareness, I can be more present, and listen more deeply to the story which unfolds. This is spiritual guidance. |
AuthorI have had a deep love for language - and all forms of writing - since I was a child. Writing, especially poetry, is an integral part of my own spiritual practice, and for me, the deepest form of prayer I know. ArchivesCategories |
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